A New Alchemy
An artist reflects on Bitcoin's status as digital gold and a substrate for her work.
Outland is a new platform dedicated to fostering critical conversations around emerging digital technologies and their connections to contemporary art.
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Commentary | 28/6/2024
An artist reflects on Bitcoin's status as digital gold and a substrate for her work.
Collections | 26/6/2024
The UAE-based curatorial collective discuss their latest project, which looks back at ten years of art and the blockchain
Commentary | 20/6/2024
Revisiting the earliest blockchain art projects helps explain the connection between contemporaneous developments in finance, aesthetics, and technology.
Commentary | 17/6/2024
What can a pair of artworks made using clocks teach artists working with blockchains today?
Commentary | 16/6/2024
Held concurrently with Art Basel, the Digital Art Mile fair provoked conversations about the art world’s anxiety toward new media.
Conversations | 12/6/2024
Two artists talk about the Fake Rares community, how it maintains and updates the legacy of Rare Pepes, and the future of art on Bitcoin
Criticism | 6/6/2024
As the popularity of Ordinals rises, it’s worth looking back to Rare Pepes as an earlier example of art on Bitcoin that valued community over price.
Conversations | 4/6/2024
Two philosophers discuss the time regimens and class politics of the blockchain, and how these concepts can help us understand art on Bitcoin.
Criticism | 28/5/2024
César Escudero Andaluz has crafted a DIY media art aesthetic to help audiences develop critical perspectives on web3 technologies and their underpinning ideologies of financialization.
News | 22/5/2024
The Ordinals protocol allows art to be inscribed on the Bitcoin blockchain—but it’s also an artwork in itself.
Commentary | 16/5/2024
Messages and ASCII art inscribed on the Bitcoin blockchain highlight the human impulse to leave a lasting mark—and to adapt technology for creative purposes.
Conversations | 14/5/2024
The three artists reflect on their early engagement with art on the Bitcoin blockchain, and the recent rise of Ordinals.
Collections | 7/5/2024
An anonymous collector in St. Louis talks about their mission of proving that NFTs are a viable equity strategy.
Commentary | 3/5/2024
Fashion signals social affiliation at the Venice Biennale preview week for curators and NFT collectors alike, but Christoph Büchel’s project at Fondazione Prada dresses everyone down.
Collections | 30/4/2024
The DAO prioritizes collecting NFTs connected to performances and political actions by women and nonbinary artists.
Conversations | 25/4/2024
The artists discuss how their performance-rooted practices dissolve the boundaries between technology and the human body.
Conversations | 23/4/2024
The Vienna-based artist and researcher talks about their ongoing work exploring molecular biopower.
Collections | 18/4/2024
Founder Seth Goldstein looks back on three years of activity as the art production DAO prepares for its final event.
Commentary | 16/4/2024
When public speaking becomes art, the digital and physical apparatus of the performance are made visible.
Conversations | 11/4/2024
The artist talks about using avatars to highlight the power dynamics and performative aspects of everyday technologies.
Mitchell F. Chan Presents
Games offer artists the chance to work with agency as a medium, opening up space to reflect on how contemporary technological and economic structures manipulate people's actions through incentives and penalties.
Commentary | 23/2/2024
What exactly is a game? For Sarah Friend, leaving this question unanswered may yield more insights than a clear set of criteria
Conversations | 5/3/2024
The two artists discuss their use of gameplay as a strategy to make the viewer engage with the difficult questions raised by their work.
Commentary | 30/1/2024
More and more, video games look like capitalism simulators and digital financial products look like games. Can art offer an alternative?